Unhurried, considered framing — made in a studio that understands acreage living.

Craft & Process

Considered framing for Pullenvale.

We frequently work with large-format pieces — oversized canvases, wide panoramic photographs, maps and pastoral works. Our workshop is set up for it: a Brevetti dual mitre saw, an Alfamacchine underpinner, a Fletcher 3100 substrate cutter and a Valiani Nexus Edge 150 computer mat cutter (CMC) handle work at any scale and intricacy. Conservation framing is available for anything that warrants it — and in our experience, Pullenvale clients more often than not bring us exactly that kind of work. We use alpha-cellulose matboard, UV-filtering glass, and archival mounting methods. We’ll tell you plainly what your piece needs and why. If you’re unsure what your artwork needs, bring it in. The consultation is the best part of the process, especially over a relaxing coffee or tea!

There’s a quiet advantage to a boutique, home-based studio: our framing is competitively priced. Without a shopping-centre lease, a shopfront to staff, or a retail precinct’s overheads to recover, your quote reflects the work and the materials themselves — not the rent. Gallery-standard framing, without the gallery-precinct mark-up.

Getting here

The drive from Pullenvale to Brookfield is around 8–12 minutes into a quiet, rural setting with ample parking, the sound of birds and a creek flowing through the property among the trees. The appointment is private, the pace unhurried over a coffee or tea, and the work will be ready in around two weeks.

Significant work, treated significantly.